Miguel Rios presents his optimistic and evocative new work in Ciutat
It’s necessary to have spent, to illustrate, the final half century on Mars to not know that Miguel Rios is among the nice pioneers of rock within the Spanish language. As well as, the person from Granada is the closest factor to Manolete that may be seen on stage, as a result of, just like the bullfighter, he has retired and returned to the fold on numerous events. There’s a cause. At a live performance by the Cuban Antonio Machin, to which the writer of Rock in Rios attended accompanied by his mom, she slipped him ‘there may be nothing uglier than old age on stage. Son, you aren’t going to grow old on stage. And it’s that hitting jumps with greater than 70 years may be as attractive for some as it’s unreal for others. On his return to the ring, the Andalusian rocker will make a cease on the Palma Auditorium, this Sunday at 19.00 . _
At 77 years old, Rios returns with new material, the model new A very long time , the eighteenth chapter of his idyll with a style that, because the artist himself outlined in certainly one of his most emblematic titles ‘by no means dies’. The blues of the third age was the cover letter of this LP, the primary with unreleased songs in 12 years. It’s an optimistic and evocative theme that displays on the era born in the course of the twentieth century, weathered in a turbulent time. The evaluation of him releases nostalgia on the similar time that he claims the combat to the tip. It needs to be remembered that the person from Granada has publicly proven his assist for first rate pensions for retirees.
His return to the studio dismantles his umpteenth inventive farewell, introduced in 2011, after a profession of 5 a long time of music, greater than 5 hundred songs recorded and thousands of live shows behind him. So, since his theoretical retirement and with a vigorous state of musical kind, the incombustible rocker enrolls in his final? tour, by which he recovers an excellent a part of his most requested songs, coined within the 60s ( El Rio , Vuelvo a Granada ) and 80s ( Santa Lucia , Bienvenidos ).
Like so many different era colleagues, Rios’s beginnings had been marked by the imposition of file firms to cowl hits in Spanish that had already been profitable in English. In these days, baptized as Mike Rios, he made hits like The twist , by Hank Ballard; or Bonny Moronie , by Larry Williams. It was not till effectively into the Sixties that his profession reached a turning level, it was when he started to prop up his personal repertoire, championed by jewels corresponding to El Río , by Fernando Arbex, or Vuelvo a Granada , written by himself. .
Successes that had been adopted by El hymn of pleasure , a track with greater than 50 years behind it that, in actuality, was one other adaptation with preparations by Waldo de los Rios from Beethoven’s ninth symphony. However so private and effectively rounded off that, in its English model ( A track of pleasure ), it shipped greater than 7 million copies worldwide. Such was his imprint that in 1972, this time with preparations by maestro Herbert Von Karajan, that ode to freedom and twinning turned the official anthem of the European Union.
Miguel Rios skilled one other of his excessive factors in 1982, the date on which he recorded his profitable ‘Rock And Rios’, a double reside album full of classics corresponding to Bienvenidos , which in the end turned his greatest industrial success so far.